Experience

• Senior Level Artist at The Coalition

  Toronto, CA

  September 2025 - February 2026

  Set dressing and visual polish of environments to support storytelling and mood.
  
  Improved level quality and consistency across locations.
  
  Identified and fixed environment‑related bugs.

• Senior Environment Artist II at Cliffhanger Games

  Toronto, CA

  September 2024 - June 2025

  •Planned and developed modular building kits for efficient world construction, tailored to the visual and architectural identity of Wakanda
  
  •Designing and organizing modular prop kits and prefabs for reusability and consistency
  
  •Managing and maintaining the asset library (asset zoo) to ensure clean structure and team accessibility
  
  •Prototyping environment blockouts for a wide variety of locations and gameplay needs (organic and scifi)
  
  •Set dressing environments with a strong focus on storytelling, composition, and mood
  
  •Collaborating closely with lighting artists, animators, designers, and VFX artists to ensure cohesive and immersive game experiences
  
  •Organizing reference boards and visual direction in Miro to align creative vision across disciplines

• Senior Level Artist at Ubisoft Toronto

  Toronto, CA

  November 2017 - August 2024

  Watch Dogs: Legion
  
  •Level Art mission prototyping, greyboxing, and establishing visual direction in the early stages
  
  •Level dressing to support narrative and gameplay beats in missions
  
  •Prop creation for storytelling and environmental detail

  Far Cry 6
  
  •Open-world level art (Madrugada and other regions), including landscaping, foliage distribution, and storytelling through set dressing
  
  •Sub-region ownership, from planning to final polish
  
  •Worked in close collaboration with Lead Level Artist, open world level designers, game designers, narrative team, and the Art Director

  Far Cry 6: Lost between Worlds
  
  •Owning the process from early blockout to fully polished mission (Toxic Wasteland)
  
  •Exploring visual direction in early stages
  
  •Prototyping diverse level art ideas
  
  •Planning mission layout with game and level designers

  Splinter Cell Remake (2023)
  
  •Mission-level art ownership (Wide-Linear Mission)
  
  •Environment planning, modular kit & prop development
  
  •Defining composition, mood, and lighting for key mission beats
  
  •Planning and sketching mission layouts in close collaboration with level, lighting, and game designers
  
  •Miro board and reference organization

  Unannounced Project (2024)
  
  •Mission level art ownership (Open World)
  
  •Set dressing across various missions
  
  •Miro board & reference organization
  
  •Creating and calling out assets of varying sizes, from props to structures
  
  •Level/mission blockout & prototyping (composition, navigation, mission flow)

• Senior 3D Artist at Deep Silver FISHLABS

  Hamburg

  May 2015 - November 2017

  Dead Island: Survivors
  
  •Unity Engine
  
  •Full ownership of cartoon-style environment art production
  
  •Planning and developing modular building kits and props
  
  •Managing outsourcing vendors and delivering clear, constructive feedback

  Unannounced VR Project
  
  •Ported and managed assets from an FPS project
  
  •Explored and created levels for VR experiences
  
  •Utilized Unreal Engine tools specifically for virtual reality development

• Senior Environment Artist at Crytek

  Kyiv

  November 2013 - April 2015

  WARFACE
  
  •Developed modular building kits for both PvP and PvE maps
  
  •Assigned to pre-production, prototyping level art for various missions
  
  •Created and developed visual designs for diverse levels
  
  •Mentored mid-level and junior artists, providing 3D art training and leading workshops

• 3D Artist at Crytek

  Kyiv, UA

  September 2009 - November 2013

  RYSE: Son of Rome
  
  •Contributed art support to the missions “The King” and “The Edge of the World”
  
  •Responsible for set dressing, prop creation, and tilable texture sets
  
  •Cryengine

  Crysis 3
  
  •Contributed to the development of the main buggy vehicle featured in the game
  
  •Created various props and structures to support gameplay and worldbuilding
  
  •Worked on level art and set dressing for the mission “Welcome to the Jungle”

  Crysis 2
  
  •Contributed art support, including prop modeling, texture creation, and material setup

  WARFACE
  
  •Modeled various props and building kits
  
  •Created textures and materials
  
  •Collaborated closely with level and game designers on both PvE and PvP maps

• 3d Artist at Nikitova LLC

  Kyiv

  January 2007 - January 2009

  Sims, Overlord, Outsourcing Projects
  
  •Created assets from concept to final, including modeling, UVs, and texturing under defined art direction

• 3d Artist at Ulysses Games LLC

  Kyiv

  January 2006 - January 2007

  Barrier of the Worlds (RTS)
  
  •Modeling and texturing for environments and props for Real Time Strategy game.
  
  •Contributed to various outsourcing projects